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Viscid beats tack statically into droning basslines and like the monotonous flap of a revolving door, each track upholds a certain uniformity reminiscent of an early Jon Hopkins. But unlike the former, Howl holds an organic naturality that puts the man in the machine. This humanised take on techno provides both individuality as it does innovation.

With darker undertones, West’s music paints an unsettling pitch. Walls opens with a ground shaking rumble that collapses into an array of dispersed patters, while 3 Laments opens with a mechanical cooing to arouse humane images of weeping or mourning – as the name suggests. Afterglow throbs to a post-endorphin pulse, momentarily flashing to the events of the night before the glow, and somewhere between the guttural sizzle of bass and the light reduction of drums is the mind of a man whose music, though made by a machine, is very much alive.
(Crack Magazine)

Rival Consoles: Howl

Howl Rival Consoles
Ghosting Rival Consoles
Afterglow Rival Consoles
Pre Rival Consoles
Walls Rival Consoles
Low Rival Consoles
3 Laments Rival Consoles
Morning Vox Rival Consoles
Looming Rival Consoles

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