mono.kultur

#41: Meg Stuart 

Mag mono.kultur

Preise inkl. 7 % USt, exkl. Versandkosten.
Sendungen außerhalb EU sind 15,96% günstiger.
English / 15 x 20 cm / 48 Pages
Delirious, vulnerable bodies running, stumbling, sliding from ramps, crashing into each other in full flight; whirling dancers in states of trance and abandon; traces of patterns emerging and dissolving: the work of American choreographer and dancer Meg Stuart is an enigmatic and dazzling experience of dance as a multisensory attack, distilling harmony out of chaos, grace out of roughness, moments of intensity out of daily rituals and gestures.

Meg Stuart’s work is not about the elegance and beauty ofbodies age, fail, and surrender, where individual spaces disintegrate and bleed into each other, where physical memories are exposed like open wounds.

Within just two decades, Stuart’s dance company Damaged Goods, which she founded in 1994, have produced a lengthy and diverse list of projects, ranging from countless full-length feature works to multi-disciplinary dance installations, improvisations, and films that spread far beyond the theatre stages of the world, into museum spaces, film festivals or the wide open street.

With mono.kultur, Meg Stuart talked about her first physical memories, the healing power of dancing and the thrill of disorientation.

Following Meg Stuart’s interest in abundance and complexity, the design discards all notions of top or bottom, left or right, with text and images set in different and ever-changing directions. A magazine as a physical object that wants to be handled and turned. Reading as a dance.

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