Ulises Conti

Los Griegos Creian Que Las Estrellas Eran Pequenos Agujeros Por Donde Los Dioses Escuchaban A Los Hombres

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27 pieces, from A to Z. This recording was thought as a sound alphabet, including different types of resonances and doing a close up in the sound transformation process itself. It includes acoustic manipulations with diferents methods, both digital and analogic.

The album contains musical instruments, soundscapes and field recordings of the everyday life, where it is possible to hear from pieces for processed piano to whispers of amusement parks, children, insects, basketball games, aircrafts or bell towers. However, all these sounds both musical instruments and sound objects are processed in such a way that new sounds are redefined.

The process of this album took place in 2013 between Germany and Argentina and was produced by Ismael Pinkler. This album investigates both in content and form the parameters of our manners and ways to relate with sound and music. What is exactly an album? How long should it last? How many songs should it have? How should it sound?

Ulises Conti: Los Griegos Creian Que Las Estrellas Eran Pequenos Agujeros Por Donde Los Dioses Escuchaban A Los Hombres

A Ulises Conti
B Ulises Conti
C Ulises Conti
D Ulises Conti
E Ulises Conti
F Ulises Conti
G Ulises Conti
H Ulises Conti
I Ulises Conti
J Ulises Conti
K Ulises Conti
L Ulises Conti
M Ulises Conti
N Ulises Conti
Ñ Ulises Conti
O Ulises Conti
P Ulises Conti
Q Ulises Conti
R Ulises Conti
S Ulises Conti
T Ulises Conti
U Ulises Conti
V Ulises Conti
W Ulises Conti
X Ulises Conti
Y Ulises Conti
Z Ulises Conti

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