the fun years
baby, it's cold inside (2025 remaster)
Keplar
/
2025
Includes Instant Download
LP
25.99
KeplarRev20LP / Includes Download Code
Edition of 300 copies
Pre-Order: Available on / around Mar 28th 2025
Incl. VAT plus shipping / Orders from outside the EU are exempt from VAT
Tracklist
1my lowville (2025 remaster)10:54
2auto show day of the dead (2025 remaster)7:11
3fucking milwaukee's been hesher forever (part 1) (2025 remaster)3:50
4fucking milwaukee's been hesher forever (part2) (2025 remaster)5:35
5re: we're again buried under (2025 remaster)7:03
6the surge is working (2025 remaster)8:14

'the fun years', comprised of multi-instrumentalists Ben Recht and Isaac Sparks, have been making music together since the turn of the century, producing intriguing interrogations of ambient, drone, post-rock, and turntablism. Originally released in 2008 on the now-defunct Barge Recordings, 'baby it’s cold inside' is perhaps the high watermark of their discography. Equally concerned with microtonal nuance and harmonic intensity, it is both a product of its time and something well past it. The chief protagonist is surely the turntable, deployed to create woolly, evocative loops from unidentifiable source material that recall, at times, the work of Philip Jeck or Jan Jelinek—churning, roiling, hissing, atrophied textures further articulated with nuanced processing and buoyed by baritone guitar drones and anti-riffing.

The title of opener "my lowville" feels like a wink to the famed slowcore duo, with spare post-rock motifs hovering in a dusty ether, slowly consumed by distorted washes of rich, harmonic sound. One of the most satisfying aspects of the album is that despite the recumbent nature of most of their sound design choices and compositional proclivities, Recht and Sparks are loath to sit still. "auto show of the dead" is a serpentine piano/guitar exploration full of subtle detail, preceding the immaculately titled "fucking milwaukee’s been hesher forever," in which the tactile delights of clicks_+_cuts are liberated from the laboratory and allowed to slum it in the world of tape gunk and '90s plate reverb. Later, "re: we’re again buried under" presents an inky black ambience that feels truly expansive and almost overwhelming, and closer “The Surge is Working” tears apart an anthemic shoegaze dirge at the seams, leaving only billowing filtered noise and negative space in its wake.

Presented here with a brilliant remaster by LUPO, 'baby it’s cold Inside should be considered alongside records like Belong’s October Language and Polmo Polpo’s Like Hearts Swelling—an arresting early aughts ambient marvel that warrants ongoing investigation.